Melissa McCarthy was standing on a soundstage a few kilometers outside the city. With a curly wig and a fake case of pink eye, she was shooting a scene opposite Jude Law for their new movie, ��Spy,�� as the director and screenwriter, Paul Feig, looked on.
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Mr. Feig, lanky and dapper in his three-piece suit, traversed the set with an ornate walking stick. Mr. Law, playing a James Bond-esque agent, was similarly dressed in sleek designer garb. The costume for Ms. McCarthy, as an analyst in the field for her first undercover operation, included a ruffled denim skirt and athletic sandals.
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The actors filmed a scene in which Mr. Law��s character jokes about running away together and Ms. McCarthy, as his besotted colleague, takes him seriously.
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��I��m on a lot of allergy medication,�� she offers, half-explaining the pink eye. ��I��m really high.��
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Another take: ��I probably can��t even drive.��
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Mr. Law made for the elevator. ��I��m going to pack my bags,�� he said.
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��Don��t bring your boy shorts, those tiny, tiny boy shorts!�� she called after him. ��I don��t want to see you in some kind of loincloth. No, thank you! Unappealing.��
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��That was so beautifully cringe-y,�� Ms. McCarthy said afterward. Mr. Feig cheered. It was a wrap.
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��Spy,�� which is to open on June 5, is the biggest-budget gamble of Mr. Feig��s career, a comic espionage thriller that cost $65 million to make. It is a rejoinder to all the testosterone-fueled fantasies that dominate the summer box office.
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��Here��s this woman who looks like an Everywoman and who is suddenly put into these extreme situations, and she��s not Angelina Jolie, rippling muscles,�� Mr. Feig said. ��She��s out there just like anybody in your family, who suddenly gets sent out as a spy.�� It��s an implicitly feminist premise but mainly, Mr. Feig said, ��a funny ��Casino Royale�� is my goal.��
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Ms. McCarthy is a deceptively mild-mannered C.I.A. wonk who must recover a nuclear weapon. It��s the third time Mr. Feig and Ms. McCarthy have worked together, starting with her 2011 breakout role in ��Bridesmaids,�� which he also directed, and his choice to make her the center of a movie filled with car chases and gunfights (which he did in ��The Heat��) has also become one of his hallmarks. Their fourth outing is scheduled for next year, in his breathlessly anticipated female reboot of ��Ghostbusters.��
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��I just want more women��s voices out there,�� he said. ��Spy�� has a supporting cast that includes the action star Jason Statham and the character favorite Bobby Cannavale. But the main relationships are between women; the villain is played by Rose Byrne, another ��Bridesmaids�� alum.
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Mr. Feig��s creative urge has paid off: Both ��The Heat,�� a 2013 buddy cop comedy with Sandra Bullock, and ��Bridesmaids,�� starring Kristen Wiig, were unexpectedly big hits. Their success was also a validation for Mr. Feig��s way of working. Though the films are scripted, he encourages improvisation. ��He is wildly collaborative,�� Ms. McCarthy said. ��you can get an actual real spontaneous moment. It��s so much fun.��
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His approach has made Mr. Feig an outlier in big-budget entertainment, and his aim is to make ��Spy�� a global blockbuster. The lighting and music follow the norms of a traditional spy movie, and he stocked it with performers who have their own international fans, like Miranda Hart, a British television star, and Björn Gustafsson, a Swedish comedian.
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Ms. McCarthy had her own ambitions for the role. ��I just wanted to keep her smart,�� she said.
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Mr. Feig grew up in the working-class suburbs of Detroit. An only child whose father owned an Army surplus store, Mr. Feig, now 52, was mostly friends with girls. ��I��ve always just been more comfortable with women,�� he said. ��I think because I had so many bullies when I was growing up. Women never punched me, and guys punched me all the time.��
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